The first step is to create a stereo aux track and name it something relevant, like Reverb. Next, you can add a reverb plugin of your choice to the aux. From here, find the track you want to add reverb to and send it to the aux.
Left-click an available send and choose an open bus. Left-click the send again and it will open up a fader with which you can control the amount of dry signal being sent to your reverb. This is one of the best ways to use reverb, because you can send multiple tracks to the same reverb aux to be effected together!
Alternatively, you can click on the empty send, go to tracks and select the reverb return track. Creating a delay effect is identical to the process we have done for the reverb. Simply replace the reverb plugin with a delay plugin of your choice. Now that you understand how to add reverb and delays to your mixes, I hope you'll have fun using them in your mixes. Leave a like if you like this video, or leave a comment below telling us why.
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Founded and maintained by Hector Lee, Soundgrains provides a resource for musicians and audio professionals alike. Focused on creating smaller, easy to understand tips, tutorials and news for the beginner to advanced reader. Creating an Aux Track On the track that you wish to add reverb to, we'll use the snare, left click on an empty send and select new track.
Remember to Solo Safe the Aux Input Track Everything sounds fine at the moment but if we try to solo the snare track we'll hear that the reverb return gets muted as well. Time-based signal processors, such as reverb and delay, are essential when creating a full stereo mix.
Although they are commonplace in every DAW on the market, reverbs and delays require a lot of processing power. So, how do we give each instrument these time effects without overloading our CPU?
We can achieve this by utilizing Auxiliary Sends during the mixing process. The mixing process, like the production process, requires creative intuition and a problem-solving mindset. Modern recording equipment has drastically expanded our sonic capabilities, allowing us to edit, transform, and synthesize our audio content in radical ways.
This is often the case when utilizing reverbs, delays, and other time-based processors to elevate your mix to a professional level. These effects are some of the most essential tools to give your mix a sense of space and depth, but they are also some of the most CPU-intensive plugins your system can run. Every time you insert a plugin to an individual track, you are essentially opening another individual application on your computer.
Fortunately, every DAW has a simple solution to this common problem—create an Auxiliary track with your desired effects and route your audio tracks through it. Whatever effects plugins you have put on the Aux track will be added to the audio output. You can use aux sends on each audio track to adjust how much of the signal is sent to the aux track.
Create a new Stereo Aux track.
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